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  • Sunday, April 21, 2019

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    • Exhibition
      04/21/19
      Circus Museum
      Tibbals Learning Center
      Imagery of knights in shining armor are woven throughout the history of American popular culture. Founded with the democratic values of life, liberty, and the pursuit of happiness, from its beginning, the United States has idealized the traits of courage, piety, and civility that are embodied in images of knights.
    • The Gray Wolves Hockey team, with (front left) John Anaghost (89) and (in Chiefs jersey) Marsh Webster (95)
      Exhibition
      04/21/19
      Museum of Art
      Searing Galleries
      This exhibition features new work by acclaimed photojournalist David Burnett, commissioned by his 2017 Greenfield Prize at the Hermitage Artist Retreat. For his latest project, Fourth Quarter, Burnett has spent nearly two years photographing senior-aged athletes from around the country.
    • Exhibition
      04/21/19
      Museum of Art
      Searing Galleries
      This new exhibition presented inside the Arthur F. Searing Wing in the Museum of Art brings together artworks from The Ringling’s permanent collection of modern and contemporary art and selections from Keith D. and Linda L. Monda’s collection.
    • Exhibition
      04/21/19
      Museum of Art
      Searing Galleries
      Drawn from the superb collections of the Stibbert Museum in Florence, Italy, this extraordinary exhibition reveals the figure of the knight in the Middle Ages and Renaissance through over 80 exquisite objects, including full suits of armor, helmets, corselets, swords, and other weaponry.
    • Exhibition
      04/21/19
      Museum of Art
      Monda Gallery
      Order Systems, the first US solo museum exhibition by Natasha Mazurka, debuts a new body of paintings, embossings, and site-specific installations using textured layers of colored vinyl.
    • Hiratsuka Un’ichi, 1985–1997  Stepping Stones in the Afternoon, 1960
      Exhibition
      04/21/19
      Museum of Art
      Chao Gallery
      In the wake of the Second World War, woodblock prints emerged as a channel of diplomacy and friendship between Japan and the U.S. Japan’s print artists found new patrons among members of the Allied occupation and they traveled abroad to teach, study, and introduce their work to audiences all over the world.
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