Skip to main content

View Calendar

  • May

  • S M T W T F S
     
     
     
     
     
     
    1
     
    2
     
    3
     
    4
     
    5
     
    6
     
    7
     
    8
     
    9
     
    10
     
    11
     
    12
     
    13
     
    14
     
    15
     
    16
     
    17
     
    18
     
    19
     
    20
     
    21
     
    22
     
    23
     
    24
     
    25
     
    26
     
    27
     
    28
     
    29
     
    30
     
    31
     
     
     
     
     
     

    Exhibitions

    View Calendar

    Sam Gilliam: Selections

    Sam Gilliam, Crystal and Counter Light, 1994
    When:
    Feb 21, 2021 – Aug 15, 2021
    Special Exhibition
    Free with Museum Admission
    Where:
    Museum of Art
    Searing Galleries

     

    The Ringling is pleased to announce a new exhibition of the work of Sam Gilliam. This exhibition is being drawn primarily from local collections and features work from the early 1970s to 2010.

    Preview the exhibition here: https://youtu.be/dz1oIAoUqEo

    Sam Gilliam is one of the most important abstract artists working today. He will have a career retrospective, at the age of 87, in 2022 at the Smithsonian Institution Hirshhorn Museum and Sculpture Garden in Washington, DC. Known for his experimental exploration of materials and constant invention, Gilliam first came to critical attention in the 1960s as a later member of the Washington Color School artists. To emancipate his art from constraints, Gilliam infused his appreciation of blues and jazz improvisation to be conceptualized in abstraction. His radical freedom to express spontaneity when working with materials created the first of his important “drape” paintings in the late 1960s that he would continue to explore throughout his career.  By removing the canvas from the traditional stretcher, Gilliam created innovative work that was both painting and sculpture. His installation of the “drape” works filled galleries with painted canvases suspended off the walls or from the ceilings and often draped over objects such as sawhorses or ladders. These pieces encouraged improvisation because they could not be hung in the same manner twice.

    The State College of Florida Jazz Messengers Combo perform in response to Sam Gilliam: Selections

    Support for this exhibition was provided by the Community Foundation of Sarasota County

    Image: Green Wave, 1999
    Acrylic on birch plywood with metal frame and piano hinges
    83 x 86 3/4 x 2”
    Collection of Giselle and Benjamin Huberman

    close