The purest styles of flamenco, some of which are: romances (ballads), martinetes, fandangos and soleares are brought into the forefront in a performance made up of a cast of distinguished dance and musical artists.
Pianist and composer Gonzalo Rubalcaba was already a young phenom with a budding career in his native Cuba when he was discovered by Dizzy Gillespie in 1985. He has won two Grammys and two Latin Grammys, and established himself as a creative force in the jazz world.
This Mexico-city based theater ensemble has created a suite of works that explore ideas of democracy in the 21st Century, and blends them with narrative collages from Mexican history. Tijuana is the staged result of a real anthropological theater experiment undertaken by Lagartijas ensemble member Gabino Rodríguez.
“¡Vívelo!” merges different rhythms and dance styles such as folkloric dance, contemporary, Spanish dance, and African-inspired movements.Masterfully displaying dance genres from the region, this production provides strong entry points for audiences of all ages seeking an energetic folkloric performance experience.
Created and choreographed by Yin Mei, an artist of the Chinese diaspora, this new dance theater piece for five dancers melds themes from the iconic Chinese literary work The Peony Pavilion and Yin Mei’s own life experience as a teenage government dancer during the Chinese Revolution.
Chilean director/puppet artist Aline Kuppenheim's Feos (Uglies) is her first collaboration with renowned playwright Guillermo Calderon, and is based on Mario Beneditti's short story, "Noche de los Feos" (Night of the Ugly).
Beginning just before sunset join multifaceted Miami artist Inez Barlatier on The Museum's Campiello for a lively and rhythmic celebration of the full moon. All are welcome to this fun, and family friendly event.
Miami native Inez Barlatier is a multifaceted artist of Ayisen (Haitian) descent. With her first band Kazoots, Inez and her bandmates evolved from their fathers’ Haitian folkloric ensemble, mixed with next-generation influences.
Addiction, religion, and the law intersect in a court-ordered drug rehabilitation program. A timely exploration of the American criminal justice system, this multi-dimensional play blurs the line between hip-hop and dramatic performance.
Companhia Urbana de Dança brings its dancers’ identities, testimonials, and attitudes to the stage with an upbeat, Afro-Brazilian accent.